Rush Museum Publishing
founder and creative director
Rush Museum Publishing wasn’t born to chase trends or fill shelves. It was built on conviction — the belief that some people still value things made with time, honesty, and the kind of beauty that doesn’t explain itself. It just stands there.
As creative director and founder, my job isn’t to invent noise. It’s to shape clarity. To turn a visual instinct into a physical object that feels permanent, considered, and worth keeping. Rush Museum doesn’t publish content. It publishes books. Real books. Made of paper. Made to last.
We print photography with total freedom — and that means total responsibility. No algorithms. No filters. Just photographers we admire and women who inspire. The result isn’t just a publication. It’s a statement in print about what still matters.
Each edition is a limited run. Each copy is numbered. And each book, whether part of PSM — our black-and-white fine art magazine — or part of a monograph series, carries the same DNA: craftsmanship, restraint, and a refusal to dilute what we believe in.
Rush Museum Publishing is, in many ways, an extension of how I see the world. Nothing rushed. Nothing disposable. Just one honest book at a time.
